![\"cinema](\"http:\/\/www.brazilianpress.com\/v1\/wp-content\/uploads\/2013\/08\/cinema-1641-20130822.jpg\")
<\/p>\nTHE SUMMER THAT WAS<\/b><\/p>\n
Matt Damon tries to beat death escaping from a devastated and over populated futuristic Earth in the excellent \u201cElysum\u201d,<\/b> while Ashton Kutcher incorporates the technology genius \u201cJobs\u201d,<\/b> but doesn\u2019t convince in the performance, and the film is too dragging. Sebastian Silva gathered Michael Cera and Gabby Hoffman as American lunatics, excited for drugs and self discovery in \u201cCrystal Fairy\u201d,<\/b> a good example of the director\u2019s authenticity and psychedelic philosophy. Ethan Hawke and Julie Delpy reprise their romantic duo in \u201cBefore Midnight\u201d,<\/b> the best American film of 2013 so far, celebrating life, the pleasures of living and sharing, and the struggles of love connections.<\/p>\n
<\/p>\n
Richard Linklater\u2019s trilogy ends magnificently as a powerful examination on the greatest feeling of all. Meanwhile, I completely disagree on \u201cMuseum Hours\u201d<\/b> being one of the best. Its content of \u2018love for art\u2019 is appeciated, but it seemed like paying a visit to a museum with a sensible guide. It is sophisticated, but it could\u2019ve been better if sold as a documentary. Gorgeous cinematography and intense performances, enhance \u201cFill The Void\u201d <\/b>as the most inspiring films of the hot season, about a family of an orthodox Jewish community, dealing with the turbulences of modern society, tragedy, values and traditions. It is also a movie that brings the audience closer to a meditation on luminous messages from God. Sofia Coppola finally gets back on track, proving she\u2019s definitely better when exploring the feminine universe, with the teen heist film \u201cThe Bling Ring\u201d, <\/b>based on the true story of a group of teenagers who made the news stealing houses of Hollywood\u2019s Celebrities. \u201cKings of Summer\u201d<\/b> follows another group of teens, but this time they are just hanging around a house they built in the woods to escape the responsibilities of growing up, but \u201cWay Way Back\u201d<\/b> is the coming of age film to see, filled up with good and witty humor. In \u201cThe East\u201d<\/b> it\u2019s the grown-ups turn to protest and avenge the big corporations responsible for disasters and diseases. It\u2019s a well-paced thriller, full of adrenaline. While \u201cSuperman\u201d<\/b> looks lazy and disappoints, \u201cWolverine\u201d<\/b> is a better hero beating up some greedy Japanese. \u201cStories We Tell\u201d<\/b> is the exceptional personal story of talented filmmaker Sarah Polley in search of answers for her family\u2019s secrets, through her investigation on the real identity of her father. It deserves to be called the Best Documentary, period. European treats \u201cThe Hunt\u201d<\/b> and \u201cHijacking\u201d<\/b> deal with moral and modern issues, such as hypocrisy, capitalism, power and greed, to reveal human\u2019s worse nightmares: sexual abuse and terrorism. And Sundance sensation \u201cFruitvale Station\u201d<\/b> is a must-see drama about the last day in the life of a man gunned down by police in what is called a racial crime. Let the golden season start.<\/p>\n","protected":false},"excerpt":{"rendered":"
THE SUMMER THAT WAS Matt Damon tries to beat death escaping from a devastated and over populated futuristic Earth in the excellent \u201cElysum\u201d, while Ashton Kutcher incorporates the technology genius \u201cJobs\u201d, but doesn\u2019t convince in the performance, and the film is too dragging. Sebastian Silva gathered Michael Cera and Gabby Hoffman as American lunatics, excited for drugs and self discovery in \u201cCrystal Fairy\u201d, a good example of the director\u2019s authenticity and psychedelic philosophy. Ethan Hawke and Julie Delpy reprise their romantic duo in \u201cBefore Midnight\u201d, the best American film of 2013 so far, celebrating life, the pleasures of living and […]<\/p>\n","protected":false},"author":1,"featured_media":77,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[5,1,16],"tags":[],"views":2356,"_links":{"self":[{"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/posts\/2469"}],"collection":[{"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/comments?post=2469"}],"version-history":[{"count":1,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/posts\/2469\/revisions"}],"predecessor-version":[{"id":2471,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/posts\/2469\/revisions\/2471"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/media\/77"}],"wp:attachment":[{"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/media?parent=2469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/categories?post=2469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/tags?post=2469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}