{"id":61688,"date":"2025-11-12T14:18:16","date_gmt":"2025-11-12T18:18:16","guid":{"rendered":"https:\/\/www.brazilianpress.com\/v1\/?p=61688"},"modified":"2025-11-12T14:18:16","modified_gmt":"2025-11-12T18:18:16","slug":"agenda-cultural-november-12th-2025","status":"publish","type":"post","link":"https:\/\/www.brazilianpress.com\/v1\/2025\/11\/12\/agenda-cultural-november-12th-2025\/","title":{"rendered":"Agenda Cultural: November 12th, 2025"},"content":{"rendered":"<p><strong><em><u>By Roger Costa<\/u><\/em><\/strong><\/p>\n<p><strong>@The Joyce Theater<\/strong><\/p>\n<p>The exuberant \u201cComplexions Contemporary Ballet\u201d returns to The Joyce Theater, 175 Eighth Avenue, to celebrate its 31st season under the direction of Dwight Rhoden and Desmond Richardson. Formed by spectacular, athletic dancers and known for its signature fusion of technical precision, raw energy, and soulful storytelling, the company presents an electrifying program featuring new works by Rhoden, rising guest choreographer Houston Thomas, and Co-Associate Artistic Director Joe Gonzalez. The 2-week engagement includes the premiere of \u201cMidnight Riff\u201d, Rhoden\u2019s vibrant tribute to the legendary women of jazz, and \u201cRetro Suite\u201d, a retrospective of Rhoden\u2019s iconic repertory. A must-see show! November 18-30. Tickets start at $17. <em>INFO: <\/em><a href=\"https:\/\/www.joyce.org\/performances\/complexions-contemporary-ballet-q27t\"><em>https:\/\/www.joyce.org\/performances\/complexions-contemporary-ballet-q27t<\/em><\/a><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-61686\" src=\"https:\/\/www.brazilianpress.com\/v1\/wp-content\/uploads\/2025\/11\/NJPAC.jpg\" alt=\"\" width=\"700\" height=\"420\" srcset=\"https:\/\/www.brazilianpress.com\/v1\/wp-content\/uploads\/2025\/11\/NJPAC.jpg 700w, https:\/\/www.brazilianpress.com\/v1\/wp-content\/uploads\/2025\/11\/NJPAC-300x180.jpg 300w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p><strong>@NJPAC<\/strong><\/p>\n<p>The electrifying music of Jimi Hendrix will be revived by Jazz guitar master Stanley Jordan on Saturday, November 22 at 7:30pm at Newark\u2019s NJPAC. As part of the annual TD James Moody Jazz Festival, Jordan, a 4-time Grammy nominee renowned artist will pay tribute to the blues-rock legend whose influential force was predominant in his decision to become a musician. Tickets start at $59. <em>INFO: <\/em><a href=\"https:\/\/www.njpac.org\/event\/stanley-jordan-plays-jimi\/\"><em>https:\/\/www.njpac.org\/event\/stanley-jordan-plays-jimi\/<\/em><\/a><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-61685\" src=\"https:\/\/www.brazilianpress.com\/v1\/wp-content\/uploads\/2025\/11\/MoMA.jpg\" alt=\"\" width=\"495\" height=\"900\" srcset=\"https:\/\/www.brazilianpress.com\/v1\/wp-content\/uploads\/2025\/11\/MoMA.jpg 495w, https:\/\/www.brazilianpress.com\/v1\/wp-content\/uploads\/2025\/11\/MoMA-165x300.jpg 165w\" sizes=\"(max-width: 495px) 100vw, 495px\" \/><\/p>\n<p><strong>@MoMA<\/strong><\/p>\n<p>The Museum of Modern Arts (11 West 53<sup>rd<\/sup> Street) just opened a new exhibition made of large modernism paintings, sculptures, ceramics, prints and other mediums to celebrate the legacy and influential artistry of Cuban born, African\/Chinese artist Wifredo Lam. On view on the third floor now thru April 11<sup>th<\/sup>, the compilation explores the history of Afro-Caribbean relations and the connection to other cultures. Paintings of landscapes, random encounters, mystical figures, folklore and daily observations are constant subjects in his work. \u201cWifredo Lam: When I Don\u2019t Sleep, I Dream\u201d is the first retrospective in the country to feature the full trajectory of Lam\u2019s remarkable vision. Tickets $30. Free on the first Friday of the month and free for people up to 16-year-old. <em>INFO: <\/em><a href=\"https:\/\/www.moma.org\/calendar\/exhibitions\/5788\"><em>https:\/\/www.moma.org\/calendar\/exhibitions\/5788<\/em><\/a><\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-61684\" src=\"https:\/\/www.brazilianpress.com\/v1\/wp-content\/uploads\/2025\/11\/MILLER-THEATRE.jpg\" alt=\"\" width=\"600\" height=\"900\" srcset=\"https:\/\/www.brazilianpress.com\/v1\/wp-content\/uploads\/2025\/11\/MILLER-THEATRE.jpg 600w, https:\/\/www.brazilianpress.com\/v1\/wp-content\/uploads\/2025\/11\/MILLER-THEATRE-200x300.jpg 200w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><strong>@Miller Theatre<\/strong><\/p>\n<p>The captivating music of Anthony Cheung has been described as gritty, inventive, and wonderfully assured. His work reveals an interest in the ambiguity of sound sources and shifting transformations of tuning and timbre. An all-star lineup\u2014flutist Claire Chase, Yarn\/Wire, and the JACK Quartet\u2014join the composer for a dynamic program of recent works on Thursday, November 13 at 7:30pm at Miller Theatre, 2960 Broadway at 116th Street (Columbia University). Part of the annual series Composer Portraits. Tickets start at $20. <em>INFO: <\/em><a href=\"https:\/\/www.millertheatre.com\/events\/anthony-cheung\"><em>https:\/\/www.millertheatre.com\/events\/anthony-cheung<\/em><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Roger Costa @The Joyce Theater The exuberant \u201cComplexions Contemporary Ballet\u201d returns to The Joyce Theater, 175 Eighth Avenue, to celebrate its 31st season under the direction of Dwight Rhoden and Desmond Richardson. Formed by spectacular, athletic dancers and known for its signature fusion of technical precision, raw energy, and soulful storytelling, the company presents an electrifying program featuring new works by Rhoden, rising guest choreographer Houston Thomas, and Co-Associate Artistic Director Joe Gonzalez. The 2-week engagement includes the premiere of \u201cMidnight Riff\u201d, Rhoden\u2019s vibrant tribute to the legendary women of jazz, and \u201cRetro Suite\u201d, a retrospective of Rhoden\u2019s iconic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":61687,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[20,1],"tags":[],"views":613,"_links":{"self":[{"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/posts\/61688"}],"collection":[{"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/comments?post=61688"}],"version-history":[{"count":1,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/posts\/61688\/revisions"}],"predecessor-version":[{"id":61689,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/posts\/61688\/revisions\/61689"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/media\/61687"}],"wp:attachment":[{"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/media?parent=61688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/categories?post=61688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.brazilianpress.com\/v1\/wp-json\/wp\/v2\/tags?post=61688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}